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Lightning, 1909-10. © Galleria Nazionale d'Arte Moderna, Rome. Photo Alessandro Vasari.
This painting is an astounding composition of purples and blues. It doesn't surprise me that details of it were used on the marketing materials for the Radical Light exhibition as it's very compelling.
Russolo studied at the Accademia di Brera in Milan, joined the Futurist movement in 1910, and had a particular interest in portraying movement, speed, and light. He abandoned painting for music in 1913, but took it up again in the last years of his life.
DALLAS — A painting by Italian master Sebastiano Ricci, long presumed to be lost, has turned up in Texas after a 300-year journey from the hands of a European nobleman playboy to a fur trader and finally through generations of one family.
Ricci's "The Vision of St. Bruno" will be offered by Dallas-based Heritage Auction Galleries on Nov. 20. Heritage officials say the painting has been conservatively estimated to fetch at least $600,000.
Title: The Resurrection Artist: Sebastiano Ricci
The family that owns the work asked Heritage chairman of fine arts Edmund Pillsbury a year ago to take a look at a painting they had stored in a warehouse. They thought it could be a Ricci, but Pillsbury was skeptical.
He was floored when he realized that the 3-by-4 foot painting — depicting a robed St. Bruno looking up at a colorful grouping of angels — did indeed appear to be the work of the famous Venetian painter.
Ricci's "The Vision of St. Bruno" will be offered by Dallas-based Heritage Auction Galleries on Nov. 20. Heritage officials say the painting has been conservatively estimated to fetch at least $600,000.
Title: The Resurrection Artist: Sebastiano Ricci
The family that owns the work asked Heritage chairman of fine arts Edmund Pillsbury a year ago to take a look at a painting they had stored in a warehouse. They thought it could be a Ricci, but Pillsbury was skeptical.
He was floored when he realized that the 3-by-4 foot painting — depicting a robed St. Bruno looking up at a colorful grouping of angels — did indeed appear to be the work of the famous Venetian painter.
Hi, I just added a few paintings, and am happy to be here...looking forward to discussing ideas and such...
Johann
Johann
"'Broken' color refers to the subtractive combination of contrasting colors: the individual intensity of two or more brightly colored paints is broken or dulled by combining them in mixtures...
...colors used 'pure' elsewhere in the composition are combined to give broken grey variants. Retaining the lively qualities of the original bright colors, these ensure the picture's coloristic unity while permitting a painterly economy of means during rapid work en plain air...
...The key to making colored greys is including both warm and cool colors in the mixture; adding a touch of red to a blue-green mixture is the easiest, most effective, way to 'break' it and render it greyish. The further apart the colors on on the color circle, the more broken, or grey, will be their color when combined."
...colors used 'pure' elsewhere in the composition are combined to give broken grey variants. Retaining the lively qualities of the original bright colors, these ensure the picture's coloristic unity while permitting a painterly economy of means during rapid work en plain air...
...The key to making colored greys is including both warm and cool colors in the mixture; adding a touch of red to a blue-green mixture is the easiest, most effective, way to 'break' it and render it greyish. The further apart the colors on on the color circle, the more broken, or grey, will be their color when combined."
I've got a problem, as have other eons members who try to post photos from Microsoft Windows XP and earlier Windows versions using Adobe Photoshop's latest updates. Fortunately I have a good many of my artworks already uploaded to eons. These I can post wherever on eons that I like. Forgive me if you've seen some of the photos I'm about to post here before. I'm getting very frustrated not being able to upload new work while waiting for eons to correct this situation(the help team is working on it), so here come some already uploaded. If you are one of those who get an error message like: "There was a problem uploading your photos. Please try again." That's it! Almost a month already, and I'm still producing!.......Urban
I think this video speaks for itself. It is a wonderful tribute to this great Dutch master.
"I try to keep my sitters moving and talking, to make them forget they are being painted. This has nothing to do with extracting intimate secrets or confessions, but rather with establishing, in motion, an essential image of the kind that remains in memory or recurs in dreams. I could not do this if my sitter had to keep still ... or to hold a stiff pose until we were both sick of it. A person is not a still-life – not even a dead person."
Oskar Kokoschka, 1974.
Oskar Kokoschka, 1974.
If you’re aiming to have a realistic painting, with accurate perspective, then it’s crucial to get the angles of the elements in the painting accurate. Not only the angles of how the objects lie in relation to each other, but also of the items themselves.
Here are various ways to measure angles:
• Hold your brush or a pencil up vertically then judge the angle by thinking of the small hand on a clock. Does the edge go out from the vertical at four o'clock or five o'clock? Or, even more accurately, by thinking of the large hand on a clock – does the edge go out at five minutes past twelve or three minutes past?
• Line a pencil or brush up with the angle then, holding it at the same angle, move it down to your painting to check the angle you’ve got.
Continue in 1st reply
Here are various ways to measure angles:
• Hold your brush or a pencil up vertically then judge the angle by thinking of the small hand on a clock. Does the edge go out from the vertical at four o'clock or five o'clock? Or, even more accurately, by thinking of the large hand on a clock – does the edge go out at five minutes past twelve or three minutes past?
• Line a pencil or brush up with the angle then, holding it at the same angle, move it down to your painting to check the angle you’ve got.
Continue in 1st reply
Perspective is the technique used to represent a three-dimensional world (what we see) on a two-dimensional surface (a piece of paper or canvas) in a way that looks realistic and accurate, as we see it in nature. Perspective is used to create an illusion of space and depth on a flat surface (or the picture plane).
Painting done on cardboard, with the board used as the "color" for the box and the details painted.
The rules of perspective applied in Western art as we known them today developed during the Renaissance. Prior to this, there wasn't an expectation that paintings would be realistic, or naturalistic, representations of life. Instead paintings were stylized and symbolic. For instance, the size a figure was painted could indicate their importance relative to the other figures, and individual colors had significance great than their actual hue.
There are three basic types of perspective: one-point, two-point, and three-point. The one/two/three refers to the number of vanishing points used to create the perspective illusion. Two-point perspective is the most commonly used.
Painting done on cardboard, with the board used as the "color" for the box and the details painted.
The rules of perspective applied in Western art as we known them today developed during the Renaissance. Prior to this, there wasn't an expectation that paintings would be realistic, or naturalistic, representations of life. Instead paintings were stylized and symbolic. For instance, the size a figure was painted could indicate their importance relative to the other figures, and individual colors had significance great than their actual hue.
There are three basic types of perspective: one-point, two-point, and three-point. The one/two/three refers to the number of vanishing points used to create the perspective illusion. Two-point perspective is the most commonly used.
Hi, Artists Group, it's been so long since I posted here that I wasn't sure whether I belonged. But here I am and I've just posted 3 paintings. I have done many, many new works since my last visit, and have begun finishing some oils that I started years ago. I hope to be posting more soon...both old and new.............Urban
