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Don Juan (Spanish), or Don Giovanni (Italian), is a legendary, fictional libertine whose story has been told many times by many authors. El burlador de Sevilla y convidado de piedra, (The Trickster of Seville and the Stone Guest) by Tirso de Molina, is a play set in the fourteenth century that was published in Spain around 1630. Evidence suggests it is the first written version of the Don Juan legend. Among the best known works about this character today are Molière's play Dom Juan ou le Festin de pierre (1665), Byron's epic poem Don Juan (1821) and José Zorrilla's play Don Juan Tenorio (1844). The most influential version of all is "Don Giovanni," an opera composed by Wolfgang Amadeus Mozart with libretto by Lorenzo da Ponte, first performed in 1787 (with Giacomo Casanova in the audience) and itself the source of inspiration for works by E. T. A. Hoffmann, Alexander Pushkin, Søren Kierkegaard, George Bernard Shaw and Albert Camus.

Don Juan is used synonymously for "womanizer", especially in Spanish slang, and the term Don Juanism is sometimes used as a synonym for satyriasis.

Legend

Don Juan is a rogue and a libertine who takes great pleasure in seducing women and (in most versions) enjoys fighting their champions. Later, in a graveyard Don Juan encounters a statue of the dead father of a girl he has seduced, and, impiously, invites the father to dine with him; the statue gladly accepts. The father's ghost arrives for dinner at Don Juan's house and in turn invites Don Juan to dine with him in the graveyard. Don Juan accepts, and goes to the father's grave where the statue asks to shake Don Juan's hand. When he extends his arm, the statue grabs hold and drags him away, to Hell.

Chronology of works derived from the story of Don Juan

* 1630: Tirso de Molina's play El burlador de Sevilla y convidado de piedra
* 1643: Paolo Zehentner's play Promontorium Malae Spei
* 1650: Giacinto Andrea Cicognini's play Il convitato di pietra
* 1658: Dorimon (Nicolas Drouin's) Le festin de pierre, ou le fils criminel
* 1659: Jean Deschamps, Sieur de Villiers's play Le Festin de Pierre ou le Fils criminel
* 1665: Molière's comedy Dom Juan ou le Festin de pierre
* 1669: Rosimon's Festin de pierre, ou l’athée foudroyé
* 1676: Thomas Shadwell's play The Libertine
* 17th century: L'ateista fulminato, Italian play by unknown author
* 1714?: Antonio de Zamora's play No hay plazo que no se cumpla ni deuda que no se pague o convidado de piedra[2]
* 1736: Carlo Goldoni's play Don Giovanni Tenorio ossia Il dissoluto
* 1761: Christoph Willibald Gluck's and Gasparo Angiolini's ballet Don Juan
* 1787: Giovanni Bertati's opera Don Giovanni, music by Giuseppe Gazzaniga
* 1787: Lorenzo da Ponte's opera Don Giovanni, music by Mozart
* 1813: E.T.A. Hoffmann's novella Don Juan (later collected in Fantasiestücke in Callots Manier)
* 1821: Byron's epic poem Don Juan
* 1829: Christian Dietrich Grabbe's play Don Juan und Faust
* 1830: Pushkin's play Каменный гость (Kamenny Gost', The Stone Guest) set as an opera in 1872
* 1831: Alexandre Dumas' play Don Juan de Maraña
* 1834: Prosper Mérimée's novella Les âmes du Purgatoire
* 1840: José de Espronceda's El estudiante de Salamanca
* 1841: Franz Liszt's Réminiscences de Don Juan on themes from the Mozart opera
* 1843: Søren Kierkegaard's Either/or in which he discusses Mozart's musical interpretation of Don Giovanni
* 1844: Nikolaus Lenau's play Don Juan
* 1844: José Zorrilla's play Don Juan Tenorio
* 1857: Don Juan in Hell - Charles Baudelaire
* 1862: Aleksey Konstantinovich Tolstoy's verse drama Don Juan
* 1872: Alexander Dargomyzhsky's opera The Stone Guest after Puskin
* 1874: Guerra Junqueiro's poem A morte de D. João
* 1878: The Finding of Don Juan by Haidee, painting by Ford Madox Brown
* 1883: Paul Heyse's "Don Juans Ende"
* 1888: Richard Strauss' symphonic poem Don Juan
* 1903: George Bernard Shaw's play Man and Superman; the third act's dream sequence is often played by itself as Don Juan in Hell
* 1902–1905: Ramón del Valle-Inclán's Las sonatas
* 1906 : Ruperto Chapí's opera Margarita la tornera, based on José Zorrilla's dramatic poem. This features a seducer of women known as Don Juan Alarcon.
* 1907: Guillaume Apollinaire's novel Les exploits d'un jeune Don Juan
* 1910: Gaston Leroux's novel Phantom of the Opera, which includes an opera called Don Juan Triumphant.
* 1910–1912: Aleksandr Blok's The Commander's Footsteps (Шаги командора).
* 1912: Lesya Ukrainka's Stone Host (Кам'яний господар), a dramatic poem.
* 1913: Jacinto Grau's play Don Juan de Carillana; also, the play El burlador que no se burla (1927) and the essay Don Juan en el tiempo y en el espacio (1954)
* 1921: Edmond Rostand's play La dernière nuit de Don Juan
* 1922: Azorín's Don Juan
* 1926: Ramón Pérez de Ayala's novel and play Tigre Juan
* 1926: Don Juan, starring John Barrymore, silent film with Vitaphone soundtrack.
* ?: Serafín and Joaquín Álvarez Quintero's play Don Juan
* 1932: short story Don Juan's Confession in Karel Čapek's Apocryphal Tales (Kniha apokryfů)[3]
* 1934: Miguel de Unamuno's Don Juan
* 1934: The Private Life of Don Juan, Douglas Fairbanks, Sr.'s last film
* 1934–1949: André Obey: Don Juan
* 1936: Ödön von Horváth's Don Juan kommt aus dem Krieg
* 1938: Sylvia Townsend Warner's novel "After the Death of Don Juan"
* 1940: Le Mythe de Sisyphe:Albert Camus. Published by Librarire Gallimard (1942) and by Alfred A. Knopf (1955, 1983) and First Vintage International Editions (1991) in English as The Myth of Sisyphus and other essays. In Camus' anti-suicide treatise, Don Juan is one of three 'Absurd Men', 'heroes' who overcome life with their attitude.
* 1942: Paul Goodman's novel Don Juan or, The Continuum of the Libido, edited by Taylor Stoehr, 1979.
* 1944: Josef Toman Don Juan
* 1946: Suzanne Lilar, play "Le Burlador", an original reinterpretation of the myth of Don Juan from the female perspective that revealed a profound capacity for psychological analysis.
* 1949: Adventures of Don Juan, film starring Errol Flynn
* 1952: "A Story of Don Juan", a short ghost story by V.S. Pritchett
* 1953: Max Frisch's Don Juan oder die Liebe zur Geometrie; also Nachträgliches zu Don Juan
* 1954: Ronald Frederick Duncan's play Don Juan
* 1955: Ingmar Bergman's play Don Juan
* 1956: Buddy Holly's song Modern Don Juan
* 1957: Georges Bataille's novel "Blue of Noon," an adaptation of the Don Juan story set in 1930s fascist Europe
* 1958: Henry de Montherlant's play Don Juan
* 1959: Roger Vailland's play Monsieur Jean
* 1960: Ingmar Bergman film Djävulens öga(The Devil's Eye)
* 1963: Gonzalo Torrente Ballester's novel Don Juan
* 1969: Jan Švankmajer's Don Šajn (Don Juan); a short retelling of the Don Juan legend featuring live-action, stop-motion animation, and marionettes.
* 1969/1970: Donna Juanita, a song performed by Swedish artist Monica Zetterlund, part of the revue and TV-show "Spader, Madame!" by comedians Hasseåtage, based on a musical piece by Franz Schubert (Sixth Symphony, Second Movement) - the theme of the lyrics is to show the gender inequality in the fact that Don Juan's philandering behaviour would never have been accepted in a woman
* 1970: The Stoned Guest, a half-act opera by P. D. Q. Bach
* 1973: Don Juan ou Si Don Juan était une femme..., a film starring Brigitte Bardot
* 1974: Derek Walcott's play, The Joker of Seville
* 1975: Lars Gyllensten's novel I skuggan av Don Juan (In the shadow of Don Juan)
* 1977: Joni Mitchell's song and album, Don Juan's Reckless Daughter
* 1980: New York City no-wave artists Mars and DNA recorded a collaborative opera based on Don Giovanni entitled John Gavanti
* 1985: A comparison is made between Marius (a main character who falls in love) and Don Juan in Les Misérables (by Alain Boublil and Claude-Michel Schönberg).
* 1987: Post-minimalist composer Elodie Lauten wrote an opera based on a feminist variation of the legend entitled "The Death of Don Juan"
* 1988: The Pet Shop Boys song "Don Juan", which used the story as a metaphor for the seduction of the Balkans by Nazism during the 1930s
* 1990: Almeida Faria's novel O Conquistador (The Conqueror).
* 1991: Georges Pichard'sExploits d'un Don Juan, comic from Apollinaire's novel
* 1992: The song, "The Statue Got Me High" by They Might Be Giants, is a contemporary, semi-abstract retelling of Don Giovanni.
* 1995: Don Juan DeMarco, film starring Johnny Depp in the role of Don Juan, and also starring Marlon Brando
* 1997: David Ives' comedy Don Juan in Chicago
* 2000: Rancid song, Don Giovani.
* 2003: Gregory Maupin's play Don Juan, A Comedy (a new adaptation)
* 2004: Peter Handke's novel Don Juan (erzählt von ihm selbst) ("Don Juan (Told by Himself)")
* 2004: Georgi Gospodnov's play D.J.
* 2005: José Saramago's play Don Giovanni ou O Dissoluto Absolvido (Don Giovanni or The Dissolute Acquitted).
* 2005: Jim Jarmusch's film Broken Flowers.
* 2006: Andrzej Bart's novel Don Juan raz jeszcze (Don Juan: once again)
* 2006: Joel Beers' play The Don Juan Project (an examination of the myth's relevance in contemporary times)
* 2006: Don Juan in Soho, a play by Patrick Marber
* 2007: Douglas Carlton Abrams' novel The Lost Diary of Don Juan[4]
* 2008 Cinque variazioni sul "Don Giovanni" di Da Ponte-Mozart, five plays of Vittorio Caratozzolo
* 2008 - 2009: Emma Rice's play Don John

There is also a book from Jozef Toman with name The life and death of don Miguel de Manara. Both the Flynn and Fairbanks versions turn Don Juan into a likeable rogue, rather than the heartless seducer that he is usually presented as being. The Flynn movie even has him successfully foiling a treasonous plot in the Spanish royal court. Shaw's play turns him into a philosophical character who enjoys contemplating the purpose of life. Beers' play turns him into a poetic, epic character recoiling from the debasing popular image of womanizer and cheap lover.