Herk Harvey is “The Man” in “Carnival Of Souls”

From Wikipedia, the free encyclopedia

• Carnival of Souls is a horror film released in 1962. Produced and directed by Herk Harvey for an estimated $33,000, the movie never gained widespread public attention when it was originally released as it was intended as a B film and today, has become somewhat of a cult classic. Set to an organ score by Gene Moore, Carnival of Souls relies more on atmosphere than on special effects to create its mood of horror. The film has a extremly large cult following and occasionally has screenings at local film and Halloween festivals.

• Herk Harvey was a Lawrence, Kansas-based director and producer of industrial and educational films for the Centron Corporation. While vacationing in Salt Lake City, he developed the idea for the movie after driving past the abandoned Saltair Pavilion. Hiring an unknown actress, Lee Strasberg-trained Candace Hilligoss, and otherwise employing mostly local talent, he shot Carnival of Souls in three weeks, on location in Lawrence and Salt Lake City.

The film tells the story of Mary Henry, a talented young organist (Hilligoss). At the film’s beginning, the car in which Mary is riding, driven by a young lady, played by Lawrence student MaryAnn Harris, whom some boys in a nearby car challenge to a drag race, plunges off a bridge and into a river. Although the others in the car die, Mary, a mere passenger, mysteriously survives.
Mary then travels to Salt Lake City, where she takes a new job playing organ at a church. While driving there, she passes a large, abandoned pavilion (in reality, Salt Lake City’s Saltair amusement park), which seems to beckon to her in the twilight. Shortly thereafter, while driving along a deserted stretch of road, she sees an apparition: a deformed, ghoulish figure (aka the Man, played by director Herk Harvey) whose image replaces her reflection in the passenger window. He stares at her fixedly through the window of her moving car until her own image returns.

As the film progresses, Mary becomes acquainted with her new landlady and a lecherous, sinister fellow tenant (played by Sidney Berger). Again and again, her reflection is replaced with the Man's image. At the same time, she continues to see visions of the Man that are no longer confined to mirrors or window reflections. Although no one else is aware of his presence, she begins to experience terrifying moments when she herself becomes invisible and inaudible to the rest of the world, as if she simply isn’t there.

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Remember, you can discuss the film here without watching it again. This is the point when we could have a very interesting discussion about the shift from traditional to modern zombie films, because “Carnival Of Souls” inspired the first modern zombie film, “Night Of The Living Dead” (which will magically appear in this space next week).

The film’s running time is 78 minutes.

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From Wikipedia, the free encyclopedia:

Night of the Living Dead (1968), directed by George Romero, is an independent black-and-white horror film. Ben (Duane Jones) and Barbra (Judith O'Dea) are the protagonists of a story about the mysterious reanimation of the recently dead. They struggle, along with five other people, to survive the night while trapped in a rural Pennsylvania farmhouse.

George Romero produced the film on a $114,000 budget, and after a decade of cinematic re-releases, it grossed some $12 million domestically and $30 million internationally. On its release in 1968, Night of the Living Dead was strongly criticized for its explicit content. In 1999, the Library of Congress registered it to the National Film Registry as a film deemed "historically, culturally or aesthetically important".

Night of the Living Dead had a great impact upon the culture of the Vietnam-era United States, because it is laden with critiques of late-1960s U.S. society; a historian described it as "subversive on many levels". Although it is not the first zombie film, Night of the Living Dead is the progenitor of the contemporary "zombie apocalypse" sub-genre of horror film, and it established the modern pop-culture zombie archetype. Night of the Living Dead (1968), is the first of five Dead films directed by George Romero, and twice has been remade, as Night of the Living Dead (1990 film), directed by Tom Savini, and as Night of the Living Dead 3D (2006).

The film’s running time is 96 minutes.

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This is the first horror film in which everybody died. Audiences had never seen anything like its cannibal zombie violence, its grainy look, its claustrophobic atmosphere, its morbid ending. Before “Night Of The Living Dead,” the good guys always won – or at least some of them survived. “Night Of The Living Dead” changed horror movies forever, making the innocence of the classic Universal monster films obsolete.



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Remember, you don't have to watch this film here to discuss it in this thread. We must have members who recall what it was like to see this film for the first time back in the day. I'm beginning to feel like Zelda Robinstein in "Poltergeist": "I am addressing the living?"